I had a dream the other night that, well, I didn't understand. A figure walked in through the mist with a flintlock in his hand. His clothes were torn and dirty as he stood there by my bed. He took off his three-cornered hat. And speaking low to me, he said, we've fought a revolution to secure our liberty. We wrote the Constitution as a shield from tyranny. For future generations, this legacy we gave. In this, the land of the free. and home of the brave. The freedoms we secured for you we hoped you'd always keep. The tyrants labored endlessly while your parents were asleep. Your freedom's gone, your courage lost, you're no more than a slave. Invist the land of the free and home of the brave. You buy permits to travel and permits to own a gun. Permits to start a business or to build a place for one. On land that you believe you own, you pay a yearly rent. Although you have no voice in saying how the money's spent, your children must attend a school that doesn't educate, and your Christian values can't be taught according to the state. You read about the current news in a regulated press, and you pay a tax you do not owe to please the IRS. Your money is no longer made of silver nor of gold. You trade your wealth for paper so your life can be controlled. You pay for crimes that make our nation turn from God and shame. You've taken Satan's number. You've traded in your name. You've given government control to those who do you harm so they could burn down churches and seize the family farm and keep our country deep in debt. Put men of God in jail. Harash your fellow countrymen while corrupted courts prevail. Your public servants don't uphold the solemn oaths they've sworn. and your daughters visit doctors. So their children will be both your leaders send artillery and guns to foreign shores and send your sons to slaughter fighting other people's wars. Can you regain the freedoms for which we fought and died? Or don't you have the courage or the faith to stand with pride? And are there no more values for which you'll fight to save? Or do you wish your children to live in fear and be a slave? O sons of the Republic, arise, take a stand, defend the Constitution, the Supreme Law of the land, preserve our great Republic and eat God-given right, and pray to God to keep the torture of freedom burning bright. As Iowoki vanished in the midst for whence he came. His words were true, we are not free, but we have ourselves to blame. For even now as tyrants trampled each God-given right, we only watched him tremble, too afraid to stand and fight. If he stood by your bedside in a dream while you were asleep and wondered what remains of the freedoms he fought to keep, what would be your answer if he called out from the grave, dill the land of the free? Ladies and gentlemen, this is the afternoon intelligence report. I'm Mark Markey. And I'm Donald Betcher. One day closer to victory for all of our brothers and sisters, both on and behind the lines in occupied territories south, southwest, east, and north. Well, ladies and gentlemen, you are listening to us on... wtprn.com we the people radio network that's wtprn.com we're also on the liberty tree radio dot 4 mg dot com that's liberty tree radio dot 4 mg dot com and you will find us on the regular FM and AM stations CB base stations micro AM and FM and galaxy 25 KU band satellite go to wtprn we the people radio network And the first thing that will come up is a little banner right there along with other information, but a banner that gives you the coordinates that you follow with your satellite dish to plug into KU-Banned satellite, Galaxy 25. Most of your satellite dishes do have KU-Banned capability, you just probably never used it. Tom, today is... It's opening day for deer season, a half minute past five standard time. And do something here real quick, because again, it's opening day for deer season in Michigan for gun season, one for six weeks. and you know I've done this before. It shows up at school in the morning hungry. Maybe it's more, maybe it's less, but it shows up to school in the morning hungry. I got an organization called Hunters Against It and I didn't see one deer all day to day, three and uh... When Don said take two or three deer, people are going, oh, wait a minute, you don't want to get one. Well, actually here in Michigan a lot of people do have what are called block permits if they're agriculture like farmers. and they'll let other people clear out the deer because if you have a potato farm or if you have a wheat field or if you have a cornfield or if you have apple orchards, you can lose a good 50% of your crop to the rats with hooves, as the people around Ann Arbor call them now. They weren't deer, they were bambi until a short time ago, Don, when all of a sudden one of the well-to-do opened up her double-wide pane glass windows to show her friends the rose bushes, and there was the herd of deer, turning the rose bushes into, well, all of a sudden they went from being, oh Bambi, we can't shoot them to get them, kill those rats with us, kill them, kill them all. You know the subject we can show, you know, can be the, their own domain, which is how it should be. Of course, we know how the rule of law is with regard to the great writ, actions under the common law and under the constitution of these United States and the respective states. Interesting that, for me to drive us back into the city. You can see this right now. you know, there is a lot of tourist activity. You'll notice a lot of the tourist activity sidewalks are rolling. A lot of people who talk about the casinos across the states, in many areas, Michigan included, there are casinos that are shutting their doors. Why? Well people, if you don't produce and if you don't have that core manufacturing and all the other things that give you a reason to have extra time and to have extra money to spend it on, well fewer and fewer people are going to go up and enjoy any kind of quote-unquote tourism. uh... this is one of the few times you know actually make up for all the other losses this year because of your season of north right now just as wave of people have met with but we've seen you know significant damage already done all in by the way one of the elements of damaging the economy let's all blame the right people and yes it is the oil companies the very greedy oil companies who are sucked in with the cf our people who are creating this you know pressure from above pressure from below nonsense so for a lot of you there listening first time Know to blame the Democrats and Republicans who have allowed all this nonsense to proceed By the way the money for your tourism you turn on the nightly news and you see that next tank shall go off Think about that full $20,000 round especially this depleted uranium probably cost twice as much only because it's junk But you know, it's gonna be expensive just think about that $40,000 round going down range or that that brand-new APC sliding by that Well, that's your business Okay, you see that that 1.5 million dollar burning piece of wreckage that you know we paid 1.5 million for but Halliburton or one of these companies bought for about $2,000 of scrap you know the trucks that they're over pricing everybody for when you see that burning truck That is your business going up in flames Because it's the value of your store or the value of this thing could what Halliburton and these other scum suckers have stolen from this country with overpricing and gouging Because out of sight out of mind when you look at that and when you walk downtown for every empty store Okay that you count just count each one of those burning vehicles as that empty store Where these scum sucker ring knockers all drag the money out of the United States and are destroying your small business your homes. Oh, and by the way, let's see Don, then we can figure it this way. They were probably in that business two, three, or four employees. You know Mark, years ago in during prohibition phrase, you know the bootleg a little off the America, a little off the top. No one will ever miss. You know what? You pay taxes down to below the middle. Isn't exactly, uh, or I think it's take it below the, take it from the head to below the waist now, Don. Yes. This isn't a barbershop phrase. know it's a skidboard except when you drive down that road and those three or four or five employees that were working in that shop that's now closed that burning Halliburton truck that you paid 20 times what it was worth for because it was bought a scrap America or as a part of the junk fleet that we're getting here in the US well on top everything else those three employees they couldn't make their house payments anymore so when you're driving down the road and you see that for sale sign on every second or every house in a row say for a month Understand that you know who to blame Halliburton, Council on Foreign Relations, your enemies who are in politics who are selling out this nation because they have failed to protect the borders. They are allowing the enemy to sweep across the frontier while supposedly we are in a war, while they're busy putting a gun to your head demanding more blood so that they can take your children down the road here, of course, through the drag. and drag your posterity, not just take your business, not just steal your home, but the next step for these squirrels is going to be for them to take your family. Now we talk about what one might call foreign involvement, it's right to inside our border. They tell us 11, although I think even if we work with the small number, Mar 11, you know twice in the last century a president actually twice in the last century, two different presidents ordered the Mexicans to get out of the illegals to get out of this country. And you know what? They got in their burrow and they wrote their a little more, uh, the small number, 11 million. Imagine if the employer, whether he's making widgets, digits or digits, people, what does he do? Mark, he bumps up the pay. See how this is hitting you. It's not only taking jobs from you, it is keeping your pay down. There's the double whammy inside the border, you guys. Right. And again, the whole issue of how many jobs, you'll say, well, you know, well, we need them to do all of these tasks. How many people are unemployed or how many people do not have an income right now or for that matter, let's put it this way. We got a lot of people, myself, I went to school and I went to college. I paid for every hour of school that I took and I paid cash. They always used to leave me, do you have a grant or do you have a loan or your loan voucher or no? Do you have a loan, no. Well, do you have a check from the bank from a loan, no. Well, how are you paying that cash? They would always look at me strange and I would count out every dollar that I made through the two jobs that I was working. I would make sure that I was, and by the way, I did have a scholarship. I had a couple of little scholarships that I won, not today, they wouldn't be anything. Back then they would pay for a good year's worth of school. And what I did is I was holding them, I was saving them. They said, well, you want to use your, no, no, no, I'm waiting. There's going to come a point where, you know, I'm going to be maybe tight and I'll be able to drop that voucher down that way. And this was a scholarship that I earned with a whole lot of work and many, many, many, many hours of burning the midnight oil to two and three in the morning. And I got, I was able to develop or build something out of that. But I did not use that for any of my undergraduate work at all, just in reverse. I worked every hour that I could when I wasn't at work. First thing, get off work, go right to school first thing in the morning. As soon as I was done with school by the middle of the day, I went to the second job, worked during the day for that, went back to school in the afternoon about two to five o'clock, sometimes as late as seven or eight. I took the late classes nobody wanted to take. By the way, there were only half as many people, so it was easier to get to the front, stay up there, listen to the instruction, and then I'd be back to, you know, get home, sleep a little bit, about nine o'clockish, 11 o'clock, go back to work. And then in the morning, you start the cycle all over again. And it depended on what day it was, because some days I had to work during the day, and I didn't have classes. It worked out, and I worked every weekend, and I worked every holiday. Of course, I was going to work every holiday. It was a double time and a half, or triple time. And I never had a holiday or a vacation day, and all the times that I was ever going to school, or even before or after. So don't tell me it can't be done. Don't tell me it isn't an option. It is. And it's one of the things that our people, as part of the idea that we build it ourselves. When you have all these other scabs and leeches attached to it, it's like the grants, the art grants or the loans, they're not cheap. I mean, down by the time you're done, you're paying two, three, and four. It's like kind of buying one of these cars on these new loan systems. You're paying for it two and three times over. Where if you'd saved up in advance and thought, just imagine what you could do with all of that other money with properly and being properly investing it at your end, handing it over to somebody else to fiddle part with because you want a cute toy for the moment. Which isn't going to last long. And Dom, we know, we wait long enough. All the toys come to us, don't they? Oh, this is a fact. Doesn't have to be the prettiest or the newest. But if it's something you like, I think I could be patient and wait for it. Just like our liberty on the other hand. No, I'm a radical. I'm not going to let them have that. There's no waiting there. Move on it now. That's right. We'll be back in about three minutes. This is the Intel Report with Don and Mark on wtprn.com. And the trends in the last several years, if not decades, has been to expand the size and scope of government and minimize and attack personal liberty. And that's why you need to join us for the Hope for America Conference and Ron Paul Rally in Phoenix, Arizona on Saturday, December 8th. Join Dr. Catherine Albrecht, Ernest Hancock, Bill Still, Tommy Cryer, Joe Bannister, George Sheppard, Paimon Luttejda, Alan Corwin, and myself, Samuel Anthony Atero on December 8th. in Phoenix, Arizona for a full day of intense education, motivation, and hands-on training. This RTR Media event is presented by Restore the Republic and sponsored by the We the People Radio Network. 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That's wtprn.com or call 512-646-6444. Okay, it's not really our online bookstore where you can get every title, book, and DVD you hear about on our live show. It's brought to you by the people at Brave New Books. BraveNewBookstore.com is the newest, bravest, and most complete bookstore online today. And their DVD selection has all the titles you need to decode the New World Order and fight the information war. BraveNewBookstore.com has awesome t-shirts to proudly display your patriotism and liberty stickers to alert the public at large. Brave New Books is physically located at 1904 Guadalupe Street under the great host great topics brief speech at its best This is We The People Radio Network. have done any great effort, made any great effort to keep God anywhere in any of the government buildings. In fact, they've not stood. When they cough and try to find their private parts, they usually plop, plop, hit the ground right in front of them. So all of a sudden, they've just decided to find some kind of inspiration. I liken that more to like, if you ever see Apokolipto. Yeah. And I hope everybody watched what Mel Gibson was trying to express when he had the high priest up there sacrificing and cutting the hearts out of the people. When the eclipse took place, pay attention the subtle eye contact that he was trying to express were just enough eye motion that both of them, the racketeer, the governor, I mean the Emperor or whatever he was, probably he was just a regional governor. He may not have been the guy, really the big kahuna over the whole operation. He was just for the city or the district there. But he looks at the other and they all kind of wink and nod at each other and then of course comes the big speech about, oh boy, it looks like things are in trouble. Now with weather satellites and other technology, I'd go so far as to say this. The character like that, especially with his ring knocking buddies, would be paying attention to the Weather Channel. Call out everybody, including the purple flavored, Malachian Witch Dancer, okay. You know, the fan would be telling you all about how, well, we can't talk about Jesus Christ, but boy, we can kind of, you know, keep it bland in general and not be too particular when they do the call for water. And of course, look, the next day, and you know, that's not that in any way, shape or form, I don't understand, you know, the authority of calling on our Lord Jesus Christ. and asking for his intervention. But these people have done everything in their power. They will use the GBI to kick in a door in a government building to take anything out that they deem necessary that might even express your faith or your belief in Jesus Christ. You have to hear the whole of the speech and I'd like to hear it. In fact, here's the project for everybody. Like the other one that was done when we asked to run about to do the thing about the announcers talking about Ron Paul, there's an excellent out there on YouTube right now where they're all jumping and screaming, you know, people are on call, he doesn't stand a chance. I'd like to see and hear this governor's speech and who was around him and who got, you know, shall we say up front. And I'd like to, you know, I need to see the face. I need to watch their expressions because these people are the same ones They didn't step in to help anybody when it came to keeping the Ten Commandments anywhere. The GBI would kick Dorian, beat people down, or hire the contractors and mercenaries to pull the Ten Commandments out of anywhere they could. So how is it that these same scurrilous scallywags would then jump forward and tell you all about how they're going to call for, you know, pray for rain? And who are they praying to? Okay, if they're praying to Cthulhu the Soul Eater and, you know, Lucifer in the process, well, that ain't calling for anything other than darkness. That's right. You might get rain, but you might not like the frogs and toads that drop with it. Yeah. That's my guy again. If they did the right thing, I would say that's nice. But when they do the little blurb thing and you don't see really a whole lot of detail and it's outside the region. I would be willing to bet it was a very, very politically correct and very narrow process. And I would also like to see the internet and the, shall we say, cable traffic from the Gouverneur's office just to see if maybe he checked the weather channel and had a couple of staff people who thought, hey, this will be a good piece, not to PR and promote Christianity, but just to kind of plug in the high mucky mucks and the ring knockers to show their I did the jump right in Don and proposed putting Christ back into virtually every aspect of... I didn't hear that. I didn't hear that either. But boy when the old pucker factor goes up and you can't drive a needle up their honey den with a sledgehammer. Oh all of a sudden they can get real good at making the right noise and flapping things around a bit and looking like the funky chicken. Only to turn right around again and flip flop on it immediately. See, everybody wanted God out of, you know, fill in the blank the whole nine yards until you kind of reap what you sow. Well, you could very well imagine it, six totally. I was not there, I did not say it, I was not involved. Thomas, I have nothing. Yeah, exactly. You can, you show me a film. I thought we burned all those. Yeah. Exactly what they're going to do. I mean, or, but let's put it this way. They'll hunt down every piece of film. They'll burn every document. They'll do everything that they can. Well, with that being the case, tell you what we're going to do. We're getting towards the bottom of the hour. There's a follow. Let's see. We got two callers. Yes, so I'll tell you what we'll bring. Let's bring James up. Oh, James. There we got James. Go right ahead. Hi. How you doing? Mark, I called you for the first time last week on, I guess it was Tuesday. And you spoke to me about how music seems to be, how musical trends seem to come from the top down. How they seem to follow a certain... Run cycles, yes. Yesterday I ran into an interview with a guy that you might be familiar with because he wrote for a magazine called Cream Magazine. The guy was Lester Bang. Lester, Lester, what was the last name again? Lester Bang. Yes, yes. Okay. I wanted to play you something. It's about a minute. Okay? Go right ahead. Make sure if it's as close and clear as we can. Go right ahead. Okay, here we go hold on we're getting close to you what? Hey, just to be safe. Let's do this We're getting close to the bottom the hour and I hate to run it over. You know run it and lose it Let's wait for a second. Let's bring everybody up to speed real quick. We'll take the break We'll come back and we're gonna let you play that over the air. How's that sound? Yeah, that's fine So what I wanted to explain is it's a good thing you brought this up again I know we're bouncing different subjects. This is Thursday guys and again, we we do different things on this program anyway One of the things I was trying to explain is there are if you notice with different eras There are specific sounds and harmonic combinations that are used that are jump offs for the for any music I don't care what song it is now Where are you really really this becomes obvious if you ever do any DJ work or have a fun doing any kind of radio work? Where you realize you know what really is cool? But always fascinating me is the DJ's who could line music up so that it blends In other words, you can't even tell, other than that there's a fade down and a fade up, it's as if the music itself was linked. And that's what jumped out at me as I started to do a lot of radio, I mean more radio work, but I've also done a lot of music over the years and things like that. Just as a sub-process, something that I picked up on is it was always fun to be able to do two or three hours of radio. and be able to make it flow. In other words, you go from one piece to the next, and it's like a chain. Each one feeds off the other in such a way that it can create a response of the person. You know what I mean? In other words, have you ever done this? You've been listening to Radio at Night, you're driving down the road, and it's like, man, that's the perfect combination of songs. Now, that's just one example. But let's say we want to do this. We get a response, or we can get a certain response. Now, there's a combination. Obviously, it's the words. We listen to that. obviously the flow of the music, but there's a combination or subharmonic that creates a subliminal response on our part with all of the other input we've received over the years. What happens if somebody wanted to tweak a negative response from you? How would they do that with music or how could they do it in such a way to get a specific cascading result from say the whole population of me? That's what we're talking about, so we're going to head in. We're going to come back. James has got something to play for us on the air too, a little bit of a brief. This is the intel report you got down to Mark. We got caller stacked up. We'll be back in about three minutes. I'll be back in a second. If you're familiar with F.N.F.A.L. then visit GunPartSky.com, an excellent source for parts, accessories, and technical support for all F.A.L. rifles. If you'd like to modify or upgrade your F.A.L. the GunPart Sky has a great selection of new, refinished, and refurbished parts. The GunPart Sky doesn't have a Federal Firearms License and he doesn't want one, but he is the source for parts and the best F.A.L. kits today. Call James at 360-906-8369 or email GunPartSky.com. at Hotmail.com. You'll be pleased with the personal care and technical support you get from the Gun Part Sky. That number again, 360-906-8369. Whether you call or visit the website at GunPartSky.com, be sure to mention WTPRN to get an additional 10% discount off their already low, low prices. Freedom Law School in association with We the People Radio Network Bring You, the 2007 Texas Justice, Peace and Freedom Conference in Dallas, Texas on November 16th through November 18th. Be on hand to hear the best collection of justice, peace and freedom leaders in America live and in person. Here is just a short list of some of the featured speakers that will be attending. Joe Bannister, Cheri Jackson, Dave Von Kleist, Tommy Cryer, Dylan Avery, Corey Rowe, Jason Burmese, Ted Gunderson, G. 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For a startling revelation of who that man is, go to www.thenextstrike.com. Then click on the ominous parallels link at thenextstrike.com. the intelligence report bottom of the hour we still have uh oh yes sir from new jersey sorry james i want to play you a portion of an interview with lester bangs who is a rock critic i missed the significance of the harmonics that you spoke about Well, let me tie this in real quick before you play that. OK, think about this. A combination of notes creates specific resonant response. In other words, one thing that Tesla did research on was frequency induction. And using a battery of frequencies to create a specific response within a physical, an organic substance or an organic being. It can be animals, but also they found that frequencies affect everything because everything runs at a certain frequency. This is getting a little high up, but I'm trying to abbreviate it so it works for me. It's a little easier to understand, but specifically the whole idea behind this is that if you wanted to agitate the physiology of a human being, and we already have this problem, by the way, with certain industries, if you're in electronics or if you're in an area where you do certain production or have power output, you actually have specific interference with the physiological system. However, it's not just one band of radiation, one wave of energy that's hitting you. It's a band or it's a broad spectrum of frequencies generated by a system that usually create the agitation, degradation of tissue. There's a number of different things that can happen. Now, obviously with music, we're not going to have degradation of tissue on a massive scale. Harmonics are the use of specific frequencies. Different notes combined together will create a specific response that the combination of physiological and also again my psychological with regard to the subliminal processes example is it would be already do this is what i was talking about with uh... background music in news broadcast during the oklahoma city's uh... period they pulled out all the stops they put background music in the actual broadcasters voice print you could hear it and it wasn't subliminal this is like on the edge but it was how are we conditioned in the theaters? A certain note, a certain frequency is combined with how specific the bad guy appears. Let's give you a more overt example of this. What do we think of? Empire on the March. You're in Hollywood or in production. You're already given a certain amount of subliminal conditioning that when you hear, Instead of saying that's just overt, that's where if you hear a cue and you hear a certain series of notes, immediately you're impressed with a certain band of thought, or in other words, a train of thought, a thread of thought that's already been planted when you hear... The Emperor's Theme. Yes, exactly. Well, again, lifting up from below, okay, lifting up and actually working into the threads of the subconscious because of the, and then a part of that has to do with, and orchestral music in general does this. There is an example, the pastoral, as they're called. What do they create? What is it that you identify with when you're looking at classical music? It's not just that they're impressing something, because remember they couldn't take the orchestra out into the fields. I mean, it could, but you know how it works. There was no boom box in 1500. There was no boom box in 1700. So what they actually were doing is the artist was actually able to paint what the person technically was expressing subconsciously in some form, and it fits. When we always say it fits, what it is is we are collecting minutae. with everything that we do. Another variation on this is why do you think it's so hard to create or falsify video image? This is another tactile sensor input. For the ring knockers, it is especially hard because we are video connoisseurs. Now when I say video connoisseurs, what I mean is the average American has been so inundated with the video world. I don't care who you are, I don't care if you're the poorest person on the planet, you got a boob tube. Because of this and because of watching events and being able to subconsciously register or transfer things, it becomes very difficult. In fact, it becomes a challenge to create fictional imagery that we will accept as real. You see what I mean? Because we understand. We don't think about it. But for instance, the physiology of the human hand moving creates very specific and natural responses that we register. When we see a fiction, an automaton, a cartoon, a parody, we pick it out and we are actually, even though we don't do it, we're actually trying to, because we're either, it's part of our fight or flight process, we're actually trying to decide is that real or is that fake. This goes all the way back to the whole idea, when we're standing in the woods, is that a predator or is that a prey? You see what I mean? So, the music or the information that's being transmitted through the music process is actually a part of that process, too. And how we register it, if you were to say, tweak, example, the cocaine era, and this is where I brought in the whole thing about drugs. The psychotropic era, the 60s, where you see the, everybody knows about the different engineering programs that are publicly available about what the government was doing, like the Spooks and Cooks, CIA, NSA, about the use of drugs. But what they didn't ask everybody is, okay, what is the other area of input that is constantly there that was constantly being refined with regard to being able to promote or project it? Here's an example, AM and FM radio. The quality and clarity of the transmitter determines how many more people you can effect and to a reasonable fashion, act with the music, which is combined once it's accessible with the drugs which are used in the field to create an altered conscience which of course all these other characters talked about back in that period of time. What they didn't plug in the rest of the way, although I think some of them did and we're working for the other side, is what if you take more than one response mechanism? In other words, you've got the dopant people, you push dope, you push opium in a wave, black tar opium. You then use it, you've already tested your rat subjects, so to speak, the ones you've tweaked on a smaller scale, and you've gotten a percentage of responses a certain way. You push the black tar opium into the population, which creates a passive, you know, euphoric character who will go to work, who will follow orders, who will do what he's told because he knows that as long as he thinks through the process, the opium allows him to think through to a degree, uh... their passive they're not aggressive they will do their job they will make their money so they can get more dope so that they can get more money so they can get more dope you know there's a nice close cycle there combine that with them the idea of using the music to either a reinforce specific response in other words to keep them docile or let's say you want to tweak the machine and you need an agitation because you want to change society Then your dope traders CIA, NSA, Mossad, the Israelis, the British, whoever, get into hyping up the population by reintroducing, by introducing another drug that was used in the past but from another part of the planet. The new kids on the block, cocaine. Cocaine accelerates the worker, you get more production out of him, but you have a side bar effect which is agitation. Do you A, try to... downplay the agitation by utilizing sound and other input and providing the material to a degree so that there's no challenge or conflict. If you need to create crisis and you're going to try and attack liberties, tweak it by doing two things. Creating an agitation process, utilizing the music and other instruments combined with the drugs, of course when not available, goes up in cost, creates greater conflict. you have the dope wars, the drug wars, people killing each other to get it because they need it now, you then can refine that process by going to the next step, which of course is the crack program, which creates a hyper-conflict situation. Now, once you get this all done, you still want the dope, this is the thing. The ring knockers still want the dope trade out there as the illicit trade. So what did we just see a massive infusion of to go back to plan A, so to speak, or go back to the beginning of the record or the cassette tape or the CD? We now have the war in Afghanistan, which with the Taliban, they had eliminated opium production almost completely in one year. The next year we go to war, and the third year out we have the greatest amount of black tar opium production from that area in its history, short of probably back in the middle ages. My argument there is that combine that with a specific readjustment of the other tactile input, and you can create either a greater conflict, riotous conditions, euphoric bliss, take your pick, whatever you want to do. And that's what the music industry, that's why tweaking the quality of the sound And I've touched on this, I branched out from the orchestras. Orchestras already do this with how many tiers of sound. If you look at an orchestra, I've been a conductor by the way, I've actually conducted orchestras. I've had some of those little sight things, that was in the music years ago. I've actually conducted an orchestra. What's funny is you have all of this sound that you command an engineer and you bring it up, you tweak it and bring it down. In the process, think about how you subdivide the noise, the sound that you produce and how many frequencies you command. That's a human organic variation on the process of taking a synthesizer and taking it to the nth degree. I know I got off on the track here. We're going to go to break. You stay right there James. We want you to play what you got. We'll be back in a few minutes. More callers. Alright. Hi, my name is Don Wiskin and for over seven years I've been telling people about CardiVite. Here's Dr. John Mattson, a naturopathic doctor, and his views on CardiVite. To learn more, call 1-877-928-8822 or visit our website at heartdrop.com. That's h-e-a-r-t-d-r-o-p.com. Hey, Jack Blood here, host of Deadline Live. 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Alright, you guys, we're back and we've got James from New Jersey. He wants to play a tape from, uh... Well, okay, uh, very interesting what you're just talking about. Not familiar with Tesla. I will look into that. Are you familiar with the book The Most Art Effect? Yes, I've seen it years ago. Yeah, and that shows, uh... the physiological effects on plans, things like that with what music does to them, specific kinds of music. Exactly, and that's what that tells you right away what we're talking about. Go right ahead and play what you've got there, please. What things are talking about here is like the kind of coordination between what appears on the radio and print media. Yes, absolutely. There's no doubt because again, you're looking at a minority group of people. a very small click with specific engineering and editorial capability that will determine in advance, and anybody who's ever been in broadcasting, API Wear service. If you have never seen it, I suggest you look at it. They virtually script out what it is you will see, and you will be penalized if you do not promote it. Good example. How do we write it? Right, exactly. All right, let me play this then. In fact, I think a lot of people see it, especially in the industry. or in different venues and don't know who to talk to about it because they've never had an outlet. We have this independent broadcasting now, but it was a big no-no. You don't even discuss a subject like this in any of the controlled talking head programming for obvious reasons. It was almost 30 years ago and he kind of was like stumbling onto that. One of the things, okay, here's what I said before and I'll reinforce this. I know we've got callers. Please, everybody, be patient. But let's look at it this way if you notice how they'll be and what they do is it's almost like you jumbled jumbled the record or like you shake the machine They'll run a particular type of music Let it run for a period of time, but then there will be a period and I mentioned this before we talked about this where there'll be junk I mean, it's like how in the hell I mean I can think of like he just said you can think of 50 young bands With men out there and young women out there who are phenomenal masters of their trade I mean, people who I would even think to try, I mean, I would like to be able to and I would try, but knowing what their skill level is, their dexterity and their ear, their tone, their total potential, how they can organize everything in their bodies, integrate with their instruments. You've got these phenomenal artists and there will be this point where you virtually have gibberish and debris on the airwaves and it's promoted across the board. Now, back then in the 70s, and like in the late 70s and into the 80s, satellite did not control the way it controls the airwaves today. Today, I'm going to tell you something. 80%, at least, in some cases, in some theaters, some markets, it's 90% of what you hear is absolutely controlled by a single satellite feed pod. Now, it guarantees that within a market share, when you sell, for instance, like in Houston, Texas, or you sell in New York, what they do is when you run the contract have a series of subroutine send ascending units and they guarantee that uh... if i if i did if i buy from schmidlap horizon uh... bits bird uh... broadcasting that radio station like you are saved twenty miles away they can reach my the same audience i can is not going to play the same programming if they do they even have a piece of contract where they can sue them are they can go out in court usually compensate by one two or three years of broadcast time for free So there's all kinds of issues here that they've actually tried to make it sound independent, but it's not. It is even more heavily tweaked. In fact, my oldest who runs our station, his theme song is Last DJ by Petty. Have you ever heard it? Yep. I have not. Oh, you've got to get this. Listen to the song. It's what Tom Petty was actually, he was addressing this very issue about the control of the airwaves. And it is absolutely tweaked. In the past, like in the 70s, there was control, but it required, it was almost like a sucking and breathing process. It took longer because they had to be able to pull everything in. created jumble and then before they would be exhaling and moving in the other direction they had to have that confusion and then remaster everything and then push everybody in another direction. Today they can absolutely tweak to the point where there are, and it has been for years by the way, no playlists. I've talked about this on the air, Don, for years, haven't I? Yes. No playlists. Okay, let me give an example. Here's a song to try and find the kinks. 20th century man. Yeah. ruled by bureaucracy, controlled by civil servants and people dressed in gray. Got no liberty, got no privacy, because the 20th century people took it all away from me. That song was a mandatory, you could hear it anywhere in the country in 1975. Muswell Hill, okay, for the album, The Kinks is the group. Muswell Hillbillies, song, 20th century man. try and find it. It's on the no play list. You will not hear it on any of the controlled satellite networks because it makes people think. Tom Petty and Last DJ. If you get a chance, I don't want to say it's as late, it was one of his more recent albums, it's called The Last DJ. Pull that down and listen to that song. He's addressing exactly what we're talking about here. Another one from the Kinks is the Kinks. Yes. My line is that is don't want to die. Now there's a period another thing about this there was a jumble I I think this is before I knew what we're talking about I could I would wonder about when I was younger but back in the 70 through 73 period there is a totally different style of music that was plugged in and it was pulled if you'll notice it's also generally not played And there is a reason for that, and I absolutely believe this because there's too much money for them to make in throwing this stuff back out there. But the problem is, they know what reaction they got from the population, and they know how powerful music, sound, and something we talked about off the air, it's like smell. Smell or sound will take you to a place you have not been in 30 years and put you there as if you were beamed back in time. Yes. Think about that James. Anybody out there listening that's the same way. There's a certain song combined with what it does is there was an impressed process where it's put into your subconscious in some way, positive or negative. Now, think about what we're talking about through this most of this hour. When you go to the theaters, you have certain notes that are applied, the subliminals that are applied. They're reinforced through a massive, intricate, and very well-produced and engineered as I heard originally when that was going on years ago, it started up, that's a warm fuzzy. What Nancy's laughing in the background, she knows what I'm talking about. Yeah, not very well, yeah. But the thing is that there is, and I do not doubt this, and I cannot stress this out, this is why I have argued they don't want people to sing. Have you ever noticed this, that the, you can have all the reality programs you want, but the idea is to ridicule. to ridicule when just to reverse. And it kind of did it even in the old cowboy western movies. Remember like the John Wayne movies? I know people may not like John Wayne. But the producer and the director was trying to present an image. The man was a man. He stood there and even if he had a voice that God you wanted to run from, he would be there to sing with you. You would bond together. It was part of an experience. It demonstrated mutual, a mutualness, a community. And that is part of the destruction and the destructive vices of this New World Order nonsense and these sickle-frant control freaks because they make people afraid even to sing and use their own voice. And I believe that's all part of this whole process with these control freaks and their whole, I mean, petty pieces of tripe that we shouldn't even be listening to that need to be run down the road and put them in a bag, like I said, a backpack full of rocks and let them swim real hard, but don't let them swim very far. Well, another example, and go back to this, you had crossover groups like Sly and the Family Stone and whatnot. In the 80s, rap music, get your 9mm and, you know, cast your side, you've got the guns. Well, anyway, James, thank you for bringing that forward, I appreciate that. Well, thanks for the interesting discussion. By the way, what classical composers do you like? Well, Bach, Beethoven, Mozart. Actually, I've, uh, let's see, most recently, uh... Oh, I've been collecting a lot of the 20s and 30s works done by both the British and Dutch composers. I would say 1900 through to 1910. Most of the what would be considered modern reconstruction only because of the nature of the music. Also name that sometime. Absolutely, I will. Thanks for the time. Thank you, James. Alright, bye-bye. God bless. Well, boy, we're at the top of the hour. Ladies and gentlemen, it went fast, and I want to thank James and our other callers for the whole area. We're going to bring you up as soon as we come back with a second hour. John, thank you. God bless the republic. Just a new world order. We shall prevail. Bye-bye. We'll be back in six minutes. Let's see abbreviated. Tonight, while you're asleep, criminals will be at work. Not in Kennesaw, Georgia. In 1982, our city passed a law requiring every household to have a gun. It terrified the criminals, and our violent crime rate is now 75% below the national average. We sleep well here in Kennesaw. Americans who own guns prevent over a million violent crimes every year and save lives. Get the facts. Visit armedandsecure.org. That's armedandsecure.org.